|The Miserable Mill|
|Number in Series||
Book the Fourth
98 Orange and Brown eyes
Top: Baudelaire children
Understocked (Mill's Library)
Count Olaf flees from the scene of the crime; in the background a school bus is seen.
|Letter to the Editor||
Ripped Sheet of Paper
The Miserable Mill is the fourth book in A Series of Unfortunate Events.
Upon arrival, Violet, Klaus and Sunny Baudelaire learn that they will have to work at Lucky Smells Lumbermill in the town of Paltryville, but as part of the deal, their new guardian, Sir (they call him Sir because his name is so long and complicated that nobody can pronounce it right), will try to keep Count Olaf, their nemesis, away. They meet Sir's partner, Charles, who shows them the library, which contains three books, one about the history of the lumber mill, one about the town constitution, and one donated by Dr. Orwell, the local optometrist, who lives in the eye-shaped building.
Klaus is purposely tripped over by the new Foreman Flacutono, breaking his glasses, and is sent to see Dr. Orwell. When Klaus returns, hours later, he acts very strangely, as if in a trance. The next day in the lumbermill, the foreman wakes Klaus, telling him to get to work, which Klaus does immediately, and does not even bother to put his shoes or socks on. Flacutono instructs Klaus to operate a stamping machine. Klaus causes an accident by dropping the machine on Phil, an optimistic coworker. The Foreman says an unfamiliar word, the other workers ask what it means and Klaus, who is suddenly back to normal, defines the word. Klaus explains that he doesn't remember what happened between when he broke his glasses and waking up in the mill. Foreman Flacutono trips him up again, causing his glasses to break. This time, though, Violet and Sunny accompany Klaus to Dr. Orwell's office.
Together, they arrive at the eye-shaped building. They knock on the door and Dr. Orwell opens it. She is seemingly pleasant and tells Violet and Sunny to sit in the waiting room. She mentions the concept of "attracting flies with honey". Violet and Sunny wonder about this before finding Count Olaf disguised as Shirley, a female receptionist, with tights having eyes all over them and a name-plate spelled out with gum. Violet realizes that Dr. Orwell is the "honey" and that they have been the "flies". She also learns that Klaus has been (and is being) hypnotized by Orwell, who is in cahoots with Olaf. They leave with Klaus, who is once again in a trance.
When they return to the lumbermill, they find a note instructing them to see Sir. He tells them that if there is another accident, he'll place them under Shirley's care.
Violet and Sunny put Klaus to bed (he remains barefoot) and then go to the mill's library. They read the book donated by Orwell, using the table of contents to find a chapter on hypnotism among the other chapters on eyes. Violet learns that Orwell's technique uses a command word to control the subject and an "unhypnotize" word. They then hear the lumbermill starting early, and rush to see what is happening.
They find Charles strapped to a log which Klaus is pushing through a buzz saw, and Foreman Flacutono giving orders. The girls move to stop them but see Klaus' bare feet, a clue that he has been hypnotised out of bed yet again. Violet learns the command word (Lucky), and orders Klaus to release Charles but Flacutono orders him to continue. Shirley and Orwell arrive and the latter orders Klaus to ignore his sisters. Violet remembers, and says, the word with which Phil unhypnotized Klaus (inordinate) just in time. Sunny and Orwell have a fight with swords and teeth. Then Orwell falls into the path of the buzzsaw and is gruesomely killed. Violet is caught by Shirley and Flacutono. Klaus manages to set Charles free. At the same time, Mr. Poe and Sir arrive, and the Baudelaires explain to them what has happened.
Shirley and Flacutono, locked in the library, insist to Poe and Sir that they also were under Orwell's hypnotic influence. The Baudelaires beg the adults to check for one of Olaf's identifying marks, a tattoo of an eye on his left ankle. The adults reluctantly agree to ask Shirley to show her left ankle. Shirley reluctantly agrees, and is revealed to be the Count. Count Olaf throws the book Violet used to learn how to free her brother, Advanced Ocular Science, through the window, along with The Bald Man with the Long Nose, who was disguising himself as Foreman Flacutono the whole time. Sir fires the Baudelaires, as he believes they will bring more trouble to the mill, and they are sent by Mr. Poe to Prufrock Prepatory School.
Dear Reader: A Letter From Lemony Snicket
I hope, for your sake, that you have not chosen to read this book because you are in the mood for a pleasant experience. If this is the case, I advise you to put this book down instantaneously, because of all the books describing the unhappy lives of the Baudelaire orphans, THE MISERABLE MILL might be the unhappiest yet. Violet, Klaus, and Sunny Baudelaire are sent to Paltryville to work in a lumbermill, and they find disaster and misfortune lurking behind every log.
The pages of this book, I'm sorry to inform you, contain such unpleasantries as a giant pincher machine, a bad casserole, a man with a cloud of smoke where his head should be, a hypnotist, a terrible accident resulting in injury, and coupons.
I have promised to write down the entire history of these three poor children, but you haven't, so if you prefer stories that are more heartwarming, please feel free to make another selection.
With all due respect,
- To Beatrice–
- My love flew like a butterfly
- Until death swooped down like a bat
- As the poet Emma Montana McElroy said:
- "That's the end of that."
In the last picture of The Miserable Mill, Sir watches from his office window as Foreman Flacutono boosts Olaf over the fence of the Lucky Smells Lumbermill. In the background, a school bus can be seen, with two students, a boy and a girl, preparing to board the bus.
Letter to the Editor
To My Kind Editor,
Please excuse the torn edges of this note. I am writing to you from inside the shack the Baudelaire orphans were forced to live in while at Prufrock Preparatory School, and I am afraid that some of the crabs tried to snatch my stationary away from me.
On Sunday night, please purchase a ticket for seat 10-J at the Erratic Opera Company's performance of the opera Faute de Mieux. During Act Five, use a sharp knife to rip open the cushion of your seat. There you should find my description of the children's miserable half-semester at boarding school, entitled THE AUSTERE ACADEMY, as well as a cafeteria tray, some of the Baudelaires; handmade staples, and the (worthless) jewel from Coach Genghis's turban. There is also the negative for a photograph of the two Quagmire Triplets, which Mr. Helquist can have developed to help with his illustrations.
Remember, you are my last hope that the tales of the Baudelaire orphans can finally be told to the general public.
With all due respect,
- Main Article: References and allusions in Lemony Snicket's works
- The names Charles and Phil are also names of two members of the British Royal Family. This may be a reference to the fact that the Industrial Revolution began in England, or it could be just a coincidence.
- There are many similarities between Charles and a character in The Last Town on Earth by Thomas Mullen also named Charles, who seems to be the link between Capitalism and Socialism. The plot for The Last Town on Earth takes place in a lumber mill completely opposite of Lucky Smells.
- "Sir" is reminiscent of "Mr. Sir" from the book Holes by Louis Sachar.
- Dr. Georgina Orwell's name is a reference to English author George Orwell.
- The name of the Ahab Memorial Hospital where Phil is taken to recover from his leg injury may be a reference to Captain Ahab from Moby Dick, who is known to have lost a leg.
- Dr. Orwell's Office is designed to resemble an eye, which, in addition to referencing V.F.D., is a likely allusion to Big Brother, who is proverbially "watching" at all times.
- When Lemony Snicket refers to his having a fight with a TV repairman, he may be referencing The Cable Guy, which contains a scene in which the characters played by Jim Carrey and Matthew Broderick go to a restaurant named "Medieval Times" and are chosen to fight with swords. Coincidentally, Jim Carrey plays Count Olaf in the film.
- Orwell's hypnotizing Klaus could be a reference to George Orwell's Nineteen Eighty-Four, in which the Thought Police tried to control the citizens' thoughts.
- The final illustration shows a sign shaped like a pair of eyes looking through eyeglasses, suspended above the door to Dr. Orwell's office. This sign is reminiscent of the billboard of Dr. T. J. Eckleburg in F. Scott Fitzgerald's novel The Great Gatsby.
Several editions of The Miserable Mill have been published. Some of these include foreign editions or re-prints such as:The Miserable Mill (UK), The Miserable Mill (UK Paperback) and Cauchemar á la Scierie.
The Miserable Mill (UK)
This edition has the same content as in the original one. The main difference here is the cover, which is black, has different fonts and an orange spine. Some colors in Brett Helquist's cover illustration were also changed. Published by Egmont. On each of the UK versions, between the coloured spine and the black cover there are narrow images depicting a reference to each books content. The Miserable Mill features a row of sharp points, presumably the end of a saw. This is repeated on the back cover.
The Miserable Mill (UK Paperback)
This is a paperback version of The Miserable Mill released in the UK by Egmont Books in 2010. It has Lemony Snicket written on the top with A Series of Unfortunate Events written below it in an eye shape.
The Miserable Mill Or, Hypnotism!
The Miserable Mill Or, Hypnotism! is an unreleased paperback re-release of The Miserable Mill, designed to mimic Victorian penny dreadfuls. It originally had a release date of January 1, 2008, but was never published. It is unknown whether it will be released in the future. 
Cauchemar á la Scierie
This French edition, published by Nathan Poche has a very different cover, Brett Helquist's illustration is not seen here, apart for a portrait of the Baudelaires. It is almost entirely black, with a white illustration of a saw.